"Eugenia Low gives a very moving performance as Mark Antony. When I think of Shakespeare’s great tragedies, I think of Hamlet, Othello, King Lear, Macbeth, Romeo & Juliet. Much as I like Julius Caesar, it doesn’t usually have the same sort of impact and it feels more like a drama than a tragedy but Eugenia brought out the tragedy brilliantly. Her ‘Friends, Romans, countrymen’ speech is riveting."
- Dave, Mobile Theatre
Shakescene Shakespeare: Measure for Measure
Lockdown Zoom Livestreams, 2020
"[T]he brilliant Eugenia Low... always makes a great and memorable impression in small roles and it was very exciting to see her in the important role of Isabella. Her performance highlights Isabella’s physical and emotional vulnerability as she is plunged into situations she might not have known existed and would certainly not have expected to be part of, herself. It’s a gripping performance of touching innocence which turns to complete desperation."
- Cal, Mobile Theatre
The Show Must Go Online & Quirk Books
William Shakespeare's Star Wars, 2020
"While only a few short scenes are performed, they are all incredibly well-executed... [T]here's a brilliance to Eugenia Low's realisation of R2-D2. Adorned in face paint and a comically large ruff, she provides the expected beeps and squeaks while also offering insights through a monologue that is an incredibly humorous turn of events."
- Nico Marrone, The Wee Review
Taking Flight 2017
New Diorama Theatre
"Eugenia Low is particularly hilarious as Nguyen; her deadpan remarks that exasperate her daughter... are wonderful and delivered with excellent comic timing"
- Emily Pulham, Everything Theatre
"BC... represents the microcosm of the British-Chinese community... Eugenia Low portrays a British immigrant with great veracity"
- Madhia Hussain, Live Theatre UK
Cockpit Theatre, 2016
"[A} fresh production with some impressive verse speaking and crystal clear story telling... Eugenia Low manages to create a compelling blend of light other worldliness and physical solidity in Ariel."